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PHYSICAL EDUCATION

Total questions: 70

Worksheet time: 1hrs 5mins

Name
Class
Date
1.

WHO IS LAWRENCE HERKIMER

(a)  

2.

He founded the National Cheerleaders Association at

Southern Methodist University, holding cheerleading camps since

1948. His first camp drew 52 girls and one boy. His camps have since

grown to more than twenty thousand attendees.

(a)  

3.

UCA STAND FOR

(a)  

4.

was created in 1974 to

provide educational training for college and high school cheer

squads.

(a)  

5.

is an organized sports activity

involving short routines that combine dance,

gymnastics, and stunt elements to cheer on

teams, most commonly football.

(a)  

6.

Performers of

these one to three-minute routinesare called

(a)  

7.

Cheerleading dates to the ____, in Great Britain,and entered the US in

the ____ Although women currently dominate the field, cheerleading

was begun by men.

(a)  

8.

Princeton University in (a)   , got the idea that

crowd chanting at football games would boost school spirit so they

came up with a catchycheer.

9.

A decade later Princeton grad and pep club member Thomas Peebles

introduced the (a)   to the idea of chanting to a

crowd of spectators.

10.

On (a)   U- Minnesota student

Johnny Campbell led an organized cheer at a football game between

Minnesota and Princeton University,

11.

On November 2, 1898, U- Minnesota student

(a)   led an organized cheer at a football game between

Minnesota and Princeton University,

12.

In the (a)   women became involved in cheerleading. And that's

because there weren't many intercollegiate sports available to them at

the time.

13.

in the 1930s cheers were aided by the

use of paper (a)  

14.

the first vinyl pom-poms weren't

manufactured until (a)  

15.

give all the 6 hand position .

(a)  

16.

Feet together, hands

down by the side in blades

(a)  

17.

Feet more than shoulder width apart,

hands down by the side in blades

(a)  

18.

Arms bent at elbow, fists

in front of shoulders

(a)  

19.

Arms extended up forming

a

“V”, relax the shoulders

(a)  

20.

Arms extended down

forming a “V”.

(a)  

21.

Arms extended straight

upward and parallel to

each other.

(a)  

22.

Both arms extended straight

out to the side and parallel to the

ground, relax the shoulders.

(a)  

23.

One arm extended in a high

“V” and the other arm extended in a

low “V” (Right Diagonal shown)

(a)  

24.

One arm extended to the side with other

arm extended in a punch motion, (Left

L motion shown)

(a)  

25.

Arms are straight, above the head in

a clasp and slightly in front of the

face

(a)  

26.

Lead leg bent with the knee over the ankle, back leg straight, feet

perpendicular to each

other

(a)  

27.

Lead leg bent with the

knee over the ankle, feet perpendicular to each other

(a)  

28.

In stride position, both feet away each other. Hands can be

on the waist or clasp in front

(a)  

29.

The ball and the toes should not be parallel when hitting

the ground. The ball should touch the ground lightly first while the

toes point downward

(a)  

30.

are the people you see being lifted or thrown in a stunt. This

role is often full of thrill and is extremely exhilarating, however, not

everyone have the guts to do it

(a)  

31.

are known as the foundation of any stunt – they lift the flyers up

into the air! Unless, by some magical force, the flyers are able to just

float in the air.

(a)  

32.

is a trained member of the team (or professional staff at

competitions) that watches for and works to reduce hazards during

stunts and tumbling. A spotter remains grounded, and keeps their eyes

locked on the tumbler or flyer at all times.

(a)  

33.

This refers to the levels of the pyramid and means the

pyramid is the height of one person plus half of the

height of another.

(a)  

34.

The pyramid is the height of two people.

(a)  

35.

The pyramid is the height of two and a half people. These

pyramids are sometimes illegal in cheerleading competitions

for certain squads. They also require an additional spotter in the

frontand the back for the top tier flyer.

(a)  

36.

“hep”, an African-American

vernacular Englishlanguage since 1904 which means “ (a)   ”.

37.

The word hip-hop was derived from the word “ (a)   ”, an African-American

38.

invented by a New York rapper (a)   (known as

Afrika Bambaataa),

39.

The

word street dance arrived in the Philippines from the United States

during the (a)   but only gained unparalleled popularity during the

1990s.

40.

The

word street dance arrived in the Philippines from the United States

during the 1980s but only gained unparalleled popularity during the

(a)  

41.

The first Philippine Team who won the World Hip Hop

Dance Championships is the (a)   .

42.

One of the

pioneers of street dance in the Philippines is (a)   .

43.

Marcelo started the first formal street dance class

in the Philippines after arriving from (a)   in 1991.

44.

After

almost (a)   years of living in a community dominated by

African-Americans in Los Angeles, he brought with him his

knowledge of urban dance in the country.

45.

(also called MCing or

emceeing), a rhythmic vocal

rhyming style (orality);

(a)  

46.

which is making music with

record players and DJ

mixers

(a)  

47.

is writing or drawings made on a wall

or other surface, usually without

permission and within public view.

(a)  

48.

a percussive vocal style;

street entrepreneurship;

hip hop language; and hip

hop fashion and style,

among others.

(a)  

49.

a style of dance that evolved as part

of hip-hop culture among Black and

Latino American youths in the South

Bronx during the 1970s. It is danced

to both hip-hop and other genres of

music that are often remixed to

prolong the musical breaks

(a)  

50.

GIVE THE

FOUR BASIC ELEMENTS FORM AND THE FOUNDATION OF BREAKING

(a)  

51.

a term referring to the upright

dancing and shuffles.

(a)  

52.

which refers to footwork

dancing performed on the

floor.

(a)  

53.

the poses that breakers throw into

their dance sets to add punctuation

to certain beats and end their

routines.

(a)  

54.

these are the most impressive

acrobatic moves normally made up of

circular motions where the dancer

will spin on the floor or in the air.

(a)  

55.

GIVE THE 6 FUNDAMENTAL MOVEMENTS.

(a)  

56.

Executes several explosive, acrobatic

movements with breaks or freezes in

between acts

(a)  

57.

Hold the position of the movement for a

few seconds before continuing or shifting

to the next movement

(a)  

58.

A quick contraction and relaxation of

muscles to producing jerking of various

joints

(a)  

59.

It includes a lot of acrobatics and physically

demanding moves, such as landing on one’s knees

and the split

(a)  

60.

Other famous moves are waving of arms, pointing,

walking stationary, and grabbing and rotating the

cap or hat

(a)  

61.

BAMBANTI FESTIVAL

a)

ISABELA

b)

DAGUPAN

c)

KALIBO, AKLAN

d)

CEBU CITY

62.

BANGUS FESTIVAL

a)

BACOLOD CITY

b)

DAGUPAN

c)

COTABATO

d)

SANTIAGO CITY

63.

ATI-ATIHAN

a)

CEBU CITY

b)

IBA

c)

ILO ILO CITY

d)

KALIBO,AKLAN

64.

CEBU CITY

a)

MASSKARA FESTIVAL

b)

SINULOG FESTIVAL

c)

T'NALAK FESTIVAL

d)

PATTARRADDAY

65.

IBA, ZAMBALES

a)

MANGO FESTIVAL

b)

ATI-ATIHAN

c)

SINULOG FESTIVAL

d)

PANAGBENGA

66.

DINAGUANG FESTIVAL

a)

CEBU CITY

b)

BAGUIO CITY

c)

ILOILO CITY

d)

BACOLOD

67.

PINAGBENGA FESTIVAL

a)

BAGUIO CITY

b)

KORONADAL, COTABATO

c)

ILOILO CITY

d)

SANTIAGO CITY

68.

MASSKARA FESTIVAL

a)

DAGUPAN

b)

KALIBO, AKLAN

c)

SANTIAGO CITY

d)

BACOLOD CITY

69.

PATTARRADDAY

a)

SANTIAGO CITY

b)

ZAMBALES

c)

BAGUIO CITY

d)

COTABATO

70.

KORONADAL,COTABATO

a)

DINAGYANG FESTIVAL

b)

T'NALAK FESTIVAL

c)

PATTRRADDAY

d)

MASSKARA FESTIVAL