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Art PT IV

Total questions: 60

Worksheet time: 30mins

Name
Class
Date
1.

Frank Lloyd Wright’s first unique personal style was known as the

a)

Romantic Style

b)

Nabi Style

c)

Beaux-Arts Style

d)

Prairie Style

e)

Brutalist Style

2.

Gerald Murphy’s work is described as “transatlantic chic” because it

a)

was entirely inspired by American consumer culture

b)

rejected European influences in favor of American styles

c)

reflected a blend of American and European art and culture

d)

was created in the U.S. but popular in Europe

e)

focused on traditional European painting techniques

3.

In 1941, after the bombing of Pearl Harbor, Yasuo Kuniyoshi:

a)

a. fled to Japan

b)

b. was placed under house arrest

c)

c. entered the United States Army

d)

d. was sent to an internment camp

e)

e. fled to Canada

4.

A movement that sought to connect people from all over the Black Atlantic world with their African roots was known as

a)

the Black Power movement

b)

the Assimilation movement

c)

the Melting Pot movement

d)

the Pan-African movement

e)

the Afrikaner movement

5.

Maria and Julian Martinez were both born in

a)

Colorado

b)

New Mexico

c)

Arizona

d)

Nevada

e)

Mexico

6.

Meta Warrick Fuller studied in Paris with sculptor

a)

Rodin

b)

Carpeaux

c)

Houdon

d)

Remington

e)

Bartholdi

7.

In Chicago, Frank Lloyd Wright worked for the firm

a)

McKim, Meade and White

b)

Peabody and Stearns

c)

Adler and Sullivan

d)

Furness and Hewitt

e)

Moss Design

8.

The Murphys were associated with a group known as the

a)

Silent Generation

b)

Lost Generation

c)

Creative Generation

d)

Baby Boomers

e)

Centennials

9.

What role did W. E. B. Du Bois play in the Pan-African movement?

a)

He was a famous sculptor.

b)

He was a painter who promoted African art.

c)

He opposed global solidarity among people of African descent.

d)

He organized Pan-African Congresses and promoted racial solidarity.

e)

He founded the first African art museum in America.

10.

The Martinez’s bowl’s shape resembles water jars made a thousand years ago by the

a)

Mayan peoples

b)

Puebloan peoples

c)

Inuit peoples

d)

Olmec peoples

e)

Apache peoples

11.

Wright’s studio and training facility in Spring Green, Wisconsin was named

a)

Talia

b)

Taliesin

c)

Talisman

d)

Taliesin West

e)

Tabletop Center

12.

Fuller's Ethiopia Awakening shows a Black female figure with her lower half wrapped in bandages that references the ancient Egyptian practice of:

a)

purification

b)

embalming

c)

foot binding

d)

mummification

e)

scarification

13.

Wright's final building was New York City's

a)

Metropolitan Museum

b)

Frick Museum

c)

Whitney Museum

d)

New Museum

e)

Guggenheim Museum

14.

Gerald Murphy's greatest stylistic influence was

a)

Picasso

b)

Matisse

c)

Leger

d)

Dali

e)

Miro

15.

Meta Warrick Fuller was born in

a)

New York City

b)

Philadelphia

c)

Boston

d)

Chicago

e)

Los Angeles

16.

Rather than using color to convey designs, in their mature work the Martinezes used

a)

scale

b)

shape

c)

texture

d)

line

e)

proportion

17.

For the 1924 “Early American Art” exhibition, Kuniyoshi loaned two pieces from his collection of

a)

Japanese-American art

b)

Southwest Art

c)

Native American Art

d)

American Folk Art

e)

Children’s Art

18.

What was the 1921 America's Making Exhibit?

a)

an exhibition of art made by 33 different immigrant groups

b)

an exhibition of art made by children in public schools

c)

an exhibition of art created in senior citizen centers

d)

an exhibition of craft items made by American crafts people

e)

an exhibition of folk art made by Early American settlers

19.

Wright called the molded tiles in the Ennis House

a)

modular blocks

b)

textile blocks

c)

simple blocks

d)

screen blocks

e)

molded blocks

20.

The Martinezes fired their ceramics in an oxygen-deprived environment that would turn the slip

a)

white

b)

clear

c)

red

d)

grey

e)

black

21.

The size of Murphy’s Watch is around

a)

two and a half feet square

b)

three and a half feet square

c)

four and a half feet square

d)

five and a half feet square

e)

six and a half feet square

22.

The Boy Stealing Fruit holds a/an

a)

banana

b)

peach

c)

apple

d)

pear

e)

fig

23.

The interior of the Ennis House is

a)

2,000 square feet

b)

4,000 square feet

c)

6,000 square feet

d)

8,000 square feet

e)

10,000 square feet

24.

Fuller’s Ethiopia Awakening was commissioned by the poet

a)

Langston Hughes

b)

James Weldon Johnson

c)

Maya Angelou

d)

Nikki Giovanni

e)

Paul Laurence Dunbar

25.

During World War II, Kuniyoshi was hired to illustrate wartime materials by the Department of

a)

the Interior

b)

Justice

c)

Defense

d)

Agriculture

e)

Veteran Affairs

26.

Maria and Julian Martinezes’ Bowl and Plate are examples of their best-known ceramic innovation called

a)

brown-on-black style

b)

black-on-white style

c)

white-on-black style

d)

black-on-black style

e)

black-on brown style

27.

Fuller’s Ethiopia Awakening is

a)

a hand-held figurine

b)

a table-top sculpture

c)

a half-life-size sculpture

d)

a life-size sculpture

e)

a twice-life-size sculpture

28.

The MOST common inspiration cited for Wright’s Ennis House is

a)

Prairie Style architecture

b)

Art Nouveau decoration

c)

Art Deco design

d)

Japanese architecture

e)

Mayan architecture

29.

The overall tonality of Kuniyoshi’s Boy Stealing Fruit is

a)

brownish-yellow

b)

bluish-green

c)

reddish-orange

d)

violet-blue

e)

yellowish-green

30.

The Ennis House was badly damaged in a major earthquake in 1994 and damaged again in 2005 by

a)

another earthquake

b)

a fire

c)

a flood

d)

a landslide

e)

vandals

31.

The Martinezzes divided the labor of making their vessels in the following way:

a)

Maria would shape and fire the clay and Julian would paint the designs

b)

Julian would shape and fire the clay and Maria would paint the designs

c)

Maria would create the vessels and Julian would market them

d)

Julian would create the vessels and Maria would market them

e)

they each shaped and decorated their own vessels

32.

Murphy’s Watch is outlined in the colors yellow and

a)

red

b)

orange

c)

green

d)

brown

e)

blue

33.

How did Maria create the contrasting matte and polished black designs on their pottery?

a)

by using different colored paints

b)

by firing at different temperatures

c)

by polishing some areas and leaving others matte before firing

d)

by carving patterns into the clay

e)

by using metallic glazes

34.

The person who commissioned Ethiopia Awakening was an administrator for the

a)

Congress of Racial Equality

b)

National Association for the Advancement of Colored People

c)

Southern Poverty Law Center

d)

American Civil Liberties Union

e)

Southern Christian Leadership Conference

35.

The boy’s eyes in Boy Stealing Fruit are

a)

round

b)

crescent-shaped

c)

almond-shaped

d)

oval

e)

rectangular

36.

The Ennis House is located in the city of

a)

San Francisco

b)

Seattle

c)

Los Angeles

d)

Phoenix

e)

San Diego

37.

Using ancient pottery-making methods, the Bowl and Plate were hand-coiled and then smoothed using scoops made from

a)

wood

b)

stones

c)

shells

d)

gourds

e)

copper

38.

Tourists began buying Native wares at rail-side resort hotels after the completion of the

a)

Federal Interstate Highway system

b)

Amtrak rail system

c)

Pacific Surfliner

d)

Coast Starlight

e)

Transcontinental Railroad

39.

The blocks used in the Ennis House had

a)

floral designs

b)

geometric designs

c)

no surface designs

d)

figural designs

e)

circular designs

40.

Why did Gerald Murphy stop painting?

a)

He lost his vision due to an accident.

b)

He needed to run his family's company.

c)

He became a composer instead.

d)

He was not able to sell his art.

e)

He began suffering from severe arthritis.

41.

In what year did Native Americans become eligible to receive citizenship?

a)

1904

b)

1914

c)

1924

d)

1934

e)

1944

42.

What name did Frank Lloyd Wright give to his California style?

a)

Fantasia

b)

Romanza

c)

Hispana

d)

Azteca

e)

Mayana

43.

Why did Fuller give the name of Ethiopia Awakening to her sculpture?

a)

In the 1920s, Egypt and Ethiopia were interchangeable symbols of Black power.

b)

In the 1920s, Ethiopia was considered a more poetic name.

c)

In the 1920s, Egypt was shunned as it was under the control of a dictatorship.

d)

In the 1920s, Egyptians pharaohs were considered to be white and Ethiopian black.

e)

In the 1920s, Egypt was considered too involved with tourism.

44.

The Ethiopia Awakening illustrated in the Art Reproductions Booklet is made of

a)

clay

b)

marble

c)

wax

d)

bronze

e)

wood

45.

All of the following can be seen as examples of folk art EXCEPT

a)

weathervanes

b)

butter churns

c)

quilts

d)

microwaves

e)

wooden boxes

46.

When did a national audience first become acquainted with the Martinezes’ work?

a)

1893 World’s Columbian Exposition in Chicago

b)

1904 Louisiana Purchase Exposition in St. Louis

c)

1939 New York World’s Fair

d)

1964 New York World’s Fair

e)

1967 Expo in Montreal

47.

The primary material of Wright’s Los Angeles houses was

a)

wood

b)

stucco

c)

brick

d)

concrete

e)

steel

48.

What does the figure in Ethiopia Awakening wear on her head?

a)

a. a golden tiara

b)

b. a draped shroud

c)

c. a linen headdress

d)

d. a pill box hat

e)

e. a transparent veil

49.

What adjective BEST describes the appearance of the boy’s head in Boy Stealing Fruit?

a)

emaciated

b)

elongated

c)

bulbous

d)

triangular

e)

realistic

50.

How many similarly designed houses did Wright design in Southern California in the 1920s?

a)

one

b)

two

c)

three

d)

four

e)

five

51.

About how many Americans were living in Paris in 1924?

a)

2,000

b)

12,000

c)

32,000

d)

52,000

e)

92,000

52.

Wright described his interiors as

a)

a. a “machine for living”

b)

b. a “form follows function”

c)

c. “less is more”

d)

d. a “total work of art”

e)

e. an “organic technology”

53.

Boy Stealing Fruit was included in an exhibition called “Paintings by Nineteen Living Americans” held in New York at the

a)

Metropolitan Museum of Art

b)

Whitney Museum of American Art

c)

New Museum

d)

Museum of the City of New York

e)

Museum of Modern Art

54.

Fuller was born in Philadelphia, where her family was part of a

a)

large group of itinerant farm laborers

b)

famous travelling circus

c)

small, elite group of Black overachievers

d)

large group of industrial workers

e)

large, affluent Black community

55.

All of the following were American trends popular in Europe EXCEPT

a)

Lindy Hop

b)

Can Can

c)

cocktails

d)

Charleston

e)

Hollywood movies

56.

Ethiopia Awakening wears a headdress called a

a)

meme

b)

diadem

c)

nemes

d)

doily

e)

durag

57.

The material that Wright used for his textile blocks in the Ennis House was formed by crushed stone or sand from

a)

the Midwest

b)

a specific marble quarry in Italy

c)

the building’s construction site

d)

Los Angeles beaches

e)

the Pacific Northwest

58.

Yasuo Kuniyoshi’s style is like that of

a)

academically trained painters

b)

classically trained Japanese artists

c)

avant-garde Cubist painters

d)

early American self-taught painters

e)

post-Impressionist painters

59.

All of the following was an American expatriate living in Europe after the First World War EXCEPT

a)

Hemingway

b)

F. Scott Fitzgerald

c)

Cole Porter

d)

Frank Lloyd Wright

e)

Man Ray

60.

How many blocks did Wright use to build the Ennis House?

a)

7,000

b)

17,000

c)

27,000

d)

37,000

e)

47,000